Mark 563's Hip Hop Portrait Sketches: East Coast

Mark 563 is a DJ, a graphic designer, he is also into amateur photography, but he also dabble into illustrations.

He is also a proud owner of one of the greatest vinyl collection i have ever seen.
Stay tunned after this one, cause soon after we will show you some more of his great work.
Enjoy and pleas leave the feedback, thanks.

** Click on the image to see it in a bigger resolution.













-- Markshot

The Faculty - Yes You May ( Big L Tribute)

Here's an exclusive that's gonna be a bonus feature on the Street Struck: The Big L Story DVD. Peace to The Big Sleep, DJ Mike Nice, BigLOnline, Dangerzone Films & Venom Records for this one. --Philaflava



The Faculty (Ei8trak & LY.F.E.) - Yes You May

Cameos By: Andre the Giant (A.G.), DJ Mike Nice, Donald "Don Ice" Phinazee (Big L's oldest brother), Lord Finesse & Stan Spit

Directed By: Jewlz the Director / Tommy (childhood friend of Big L)

Big Twan - The Best of Big Twan

Here is the second collabo between The T.R.O.Y. Blog and BigLOnline and we'll continue bringing heat as long as you allow us to. This compilation showcases the talents of Big Twan, who many remember off of Big L's "8 Iz Enuff" track. Twan went on to do a lot of work with Big Kwam (no relation) and put out several singles on the UK label Blind Side Recordings. We've hand picked 16 tracks and Big Twan was nice enough to give 4 himself to help create the Best of Big Twan. Enjoy! --Philaflava

The T.R.O.Y. Blog & BigLOnline Presents..
Big Twan: The Best of Big Twan.

01. Above Da Law ft. Agallah, Labba, Sean Price & Starang Wondah
02. My Mic
03. The Hellgate Rebel ft. Big Kwam
04. The Reunion ft. Big Kwam
05. One Time 4 the Lyricist
06. Tom Hewitt Freestyle
07. The Pavlik
08. Focus
09. The Reunion ft. Big Kwam (Vinyl Reanimators Remix)
10. The Hellgate Rebel ft. Big Kwam (A capella)
11. My Mic (Instrumental)
12. The Hellgate Rebel (Instrumental)
13. The Reunion (Instrumental)
14. One Time 4 the Lyricist (Instrumental)
15. The Reunion (Vinyl Reanimators Remix Instrumental)
16. DJ Eddie Ill & DL Ayatollah Freestyle ft. FT, Hafeese, Labba & Matt Fingaz
17. Get It In Freestyle
18. Strate Razor
19. Above the Law (Instrumental)
20. ’96 Stretch Armstrong & Bobbito Freestyle

Download

Tracks 06, 07, 08, 17 and 18 are exclusives given to BigLOnline by Twan himself.

Bonus:

Big L – 8 Iz Enuff (Demo Version) ft. Terra, Herb McGruff, Buddah Bless, Big Twan, Killa Kam, Trooper J & Mike Boogie (Produced by Buckwild) Download

Big L - The Best of The Rest

This compilation showcases a dozen varied highlights of non-album cuts and unreleased tracks by Big L. It spans from his first recordings in ‘92 to his last live show in ’98. Most blogs focus on the best of Big L. We've heard all those tracks but this time we're focusing on the best of the rest. Tracks that don't always get mentioned and some hard to come across. We've hand picked 12 tracks in their best quality and put together this compilation for you. Stay tuned for more collabos with The T.R.O.Y. Blog and BigLOnline but for now enjoy The Best of The Rest. --Philaflava

The T.R.O.Y. Blog & Big L Online Presents..
Big L: The Best of the Rest.

01. Big L – Devil’s Son ’98 (Live in Amsterdam)
02. Lord Finesse – You Know What I’m About (Original Version) ft. Big L
03. Big L – Principal of the New School
04. Big L – Unexpected Flava
05. The Children of the Corner (Big L, Herb McGruff, Murda Mase, Killa Kam & Digga)
– Hell Up in Harlem (Extended DJ Ron G Uptown Mix)
06. Big L – We Got This (Alternate Version)
07. Big L – Let Me Find Out
08. Liz Lucci – We All Can’t Ball ft. Big L & Richie Thumbs
09. Bootsie – Harlem N.Y.C. (Beats 2 Blow Remix) ft. Big L & Herb McGruff
10. DJ Ron G – Exclusive 2003 Shit ft. Big L
11. Big L – Now or Never
12. Stephen Simmonds – Alone (Original Version) ft. Big L & Marquee

Concept and title by: Jason Gloss of Philaflava.
Cover and execution by: TheBigSleep of Big L Rarities (and BigLOnline).
Quality: Half are 192 / CBR and half are V2 / VBR. (65 MB for a dozen MP3s.)
Duration: Forty five minutes, forty seconds.

Download Mix

Track Info:

01. Recorded October 8th, 1998 for the Fat Beats Amsterdam Party (with Andre the Giant and Roc Raida on stage as well).
02. The first song L ever recorded. When he was seventeen, 1992. Unreleased (because Finesse wasn’t allowed to put anyone on who wasn’t signed to a label) until it was put it on From the Crates to the Files in 2003.
03. The first solo song L ever recorded, also in 1992, before Devil's Son. The first verse was used on Stretch & Bobbito that year but the rest went unheard until Finesse put it out last year on Rare Selections EP Vol. II.
04. Given to DJs but unreleased tag free (without voiceovers) until last year when Finesse put it out on Rare Selections EP Vol. I. ’91 Finesse remix instrumental beat for Large Pro, unused by Warner Bros., L’s vocals added in ’93 but deemed too outdated for Lifestylez.
05. Unreleased Ron G mix not included on the 2005 Children of the Corn Collector’s Edition CD (features all of The Children of the Corner except Bloodshed).
06. Part of this was used for The Triboro, unheard in it’s entirety until 2005’s The Archives, put out by Finesse.
07. Bootleg that surfaced within the last couple years. From the mixtape Classic Whites: The Illest White Labels Vol. I. Unknown year, production, source and origin.
08. ’98 vinyl single only release. Liz Lucci also went by the name Big Zil.
09. ’98 vinyl single only release.
10. 2003 Ron G Mixtape release, Da Thriller Blends. (Available in full on Recognize the Real: http://recogthereal.blogspot.com/2009/03/ron-g-da-thriller-blends.html )
11. Recorded in ’96 for L’s second Columbia LP, The Big Picture. The first time that album was given a name. Unreleased until 2005’s The Archives.
12. Recorded in ’97. Limited edition vinyl release.

Don't forget to check out Big L Rarities.

Great Introductions

One of the greatest things about music is discovering new artists. Whether it's the case today, years ago hip-hop was always about helpin' others get on. There was a certain element in the music was more authentic. The chemistry was real and more importantly rappers were motivated by their competitive nature, not potential endorsements. There are tons of memorable debuts such as AZ on "Life's A Bitch," Jay-Z on "Hawaiian Sophie" or 2Pac on D.U.'s "Same Song." For some, careers were made on just one verse.

Below are 7 phenomenal debuts that some might argue contain the greatest ever. We're asking our T.R.O.Y. readers to let us know which debut you feel is the greatest of all-time. You can post your comments as well as vote on which debut from the videos below you feel is the best. --Philaflava

Ultramagnetic MC's - Raise It Up feat. Godfather Don


A Tribe Called Quest - Scenario (Remix) feat. Kid Hood & L.O.N.S.


Gang Starr - I'm The Man feat. Lil Dap & Jeru The Damaja


Organized Konfusion - Fudge Pudge feat. O.C.


Main Source - Live From The BBQ feat. Joe Fatal, Akinyele & Nasty Nas


Dr. Dre - Deep Cover (187) feat. Snoop Doggy Dogg


Lord Finesse - Yes You May (Remix) feat. Big L

Street Struck: The Big L Story

Our homie TheBigSleep from The Big L Rarities Blog posted this on the forums and being that is set to unveil this tomorrow afternoon at 140th & Lenox in Harlem we thought it's best to share this the rest of you. This clip is from Jewlz, the director of Street Struck: The Big L Story and is just a teaser trailer of Dangerzone Films' new documentary. Peace to BigLOnline.com for the exclusive. --Philaflava

Danger Mouse - DM Mix (98-01)

Before Gnarls Barkley, Danger Doom, The Grey Album, & bringing back Jemini The Gifted One, Danger Mouse was putting out his own hip-hop mixtapes which always included a handful of his early mash-ups or should I say blends. He released four promo mixtapes from 1998 to 2000. I hooked up all his remixes together into one folder full of Danger Mouse Remixes*. They were all well done. A blend that I really enjoy is Inspectah Deck's "Rec Room" vocals over Demastas "Feel No Guilt" instrumental. While a lot of the instrumentals used for the remixes were known to my ears, my three favorites which I included below didn't ring a bell. I think they were probably his own beats. All of you should enjoy these remixes, peep the samples below to give you a nice idea of the concept. Enjoy,

Download

Samples:

-- Thomas V

*One of the remix I included is from 2001 (wasn't on his promo mixtapes)

Memory Man Presents Wu-Tang Clan Vs. D.I.T.C.

Memory Man Presents Wu-Tang Clan Vs. D.I.T.C.

"This virtual face-off pits two of New York's most respected and influential crews against each other in an all-out blend war. The focus is on battle rhymes and the groups' golden era material, but there's a few exceptions. Split into two continuous parts, the tracks alternate between Wu-Tang MC's rhyming over D.I.T.C. beats and vice versa. This mix is an attempt to illustrate how evenly matched the Wu-Tang Clan and D.I.T.C. really are/were."

Wu-Tang Clan Vs. DITC Part 1 (45:30)
Wu-Tang Clan Vs. DITC Part 2 (35:05)

Download

Hopefully, you will all enjoy this mix. Make sure to check out Memory Man here at his Myspace. Drop a comment! It def gets my vote for 'Mix of the Year'!!

-- Thomas V

Lord Finesse, Big L, & Youth Crime

Lord Finesse "Shorties Kaught In The System (S.K.I.T.S.)"

Lord Finesse "Shorties Kaught In The System (S.K.I.T.S.)" REMIX

Big L "Street Struck"

All three songs zipped in one file

Sociologist Robert R. Alford once described how the media recasts scholarly theories as dogmatic truths that influence policymaking. Legal scholar Michael Lindsey wrote scathingly about one such concept, "super predator," which was introduced by Princeton University poli-sci professor John Dilulio in an article published in The Weekly Standard in late 1995:

... Dilulio defined his title phrase as a cohort of youthful offenders created from a moral poverty ... In academia, creating drama around an issue to ensure that editors will accept it is sometimes necessary ... this hyperbole did not end with Dilulio's article ... U.S. Rep. Bill McCollum of Florida introduced the Violent Youth Predator Act of 1996 ... References to youthful offenders has escalated from "delinquents" to "super-predators." Politicians, news commentators, journalists, and justice and law enforcement officials, now use Dilulio's postulated projections as a statement of fact.

This vision of a "demographic time bomb" lurking "on the horizon," comprised of youths who "quite literally have no concept of the future" is at once poetic, vicious, and calculated.

Dilulio does not mention music, but his "moral poverty" theory resembles studies like "The Moynihan Report" that according to Tricia Rose advance notions of a dysfunctional black culture that arises (against all logic) apart from social institutions. Rap is alleged to be this culture's "greatest contemporary promoter"; its reception as literal autobiography, she argues, is informed by historical assumptions that black men are " 'naturally' violent."

When authored by self-described insiders, such diatribes give rise to reductive binaries that persist despite being regularly disparaged by astute critics. Scrutiny is averted from "positive" songs that encourage the conflation of real crime with its verbal representation, or romanticize a prior decade. Such stances are vulnerable to co-optation by right-leaning anti-youth pundits. Hardly harmless.

Any rap lyric can be sold through charismatic, convincing authenticity. Academic texts are no different. Obtuse works can "cross over" if peppered with panache. Tucked between Dilulio's jargon slinging and number crunching is a stylized memoir: the kid from a low-rent ethnic white Philly 'hood grows into the fearless researcher who is "almost killed" conducting research in a prison. To build his case and his credibility, Dilulio cites folks with unimpeachable stripes: cons, cops, and then-Philly D.A. Lynne Abraham, known as "suite and street smart." She asserts that youth crime waves are led by "youngsters who pack guns instead of lunches," nearly mirroring Philly rapper Jamal's lyric "I'm never packing pop tarts for lunch, I'm packing .38 specials" on Illegal's "Back In The Day."

Dilulio and the Posse's wry pastiche also brings to mind Lord Finesse's "Shorties Kaught In The System," a grim account of high school dropouts who prefer shooting Glocks to skelly tops from the alarmingly titled State Of Emergency: Society In Crisis compilation. The ever-virtuosic Finesse offers rhymed statistics ("eighty out of a hundred/ all they wanna do is clock dough, scoop bitches, and get blunted") while appealing to his audience's sense of fearful urgency and insider authenticity ("if you ain't from the ghetto this undercover/ but in ninety-four, shit is realer than a motherfucker"). Dilulio could well have quoted him. While "S.K.I.T.S." is not a commentary on music nor the exact type of song that is frequently championed by purists to discredit newer trends, it stands as a forceful indictment of youth culture, ripe for the picking.

Finesse is redeemable, though. He is guilty of romanticizing his not-too-distant adolescence, but he acknowledges that violence is a systemic problem. He ascribes a level of resourcefulness and intelligence to troubled youths that Dilulio does not ("It ain't about IQ/ some of them are making more than doctors/ and didn't graduate high school"). In real life, he served as a mentor to Big L, who appears on the hook of the "S.K.I.T.S." remix as the contrary young voice ("I don't give a fuck..."). On the Finesse-produced "Street Struck," Big L credits rap with steering him from crime; Finesse's warmhearted concern for his disciple is corroborated by L's mother.

The sad irony is that Big L was shot to death in 1999, most likely over a dispute that did not directly involve him. His verses on "Street Struck" are poignant, empathetic, hopeful, less judgemental and ultimately more incisive than what we hear from his elder mentor on the same subject. Although the song is a departure from Big L's typically sadistic narratives, the trajectory of his life illuminates several truths that should be more obvious, namely that kids who consume and create violent rap are (like anyone else) complex human beings who mostly wish to pursue wealth and happiness, are fully capable of discerning fictive expression from actual reality, experience stress and frustration when presumed to be less than human, and bleed when shot.

And their bleeding is not stopped by a conscious lyric, a poorly executed album concept, or bad comedy. -- Thun

-- Thun

Big L - Put It On (Homegrown Remix)

Pic jacked from Kev Beacham's Big L Rarities and Press Kit Post

Now that you've probably already scrolled right past these words to hear the Big L joint below and scrolled back up to see what the story was behind it, here it is:

The original version of Big L's Put It On is just perfect. Sampling Buster Williams version of the Roy Ayers' penned Vibrations gave it a smoothed out, soulful appeal that made it an instant classic.

Years later, I thought more about Put It On and decided that it should have an alternate mix. A darker beat that might match his vocals in a more menacing way was what I wanted to see happen. So, at the time, I had my MPC2000xl for about 2 years and was just really starting to put together half decent tracks.

I sampled Bo Hansson's At The House Of Elrond off of his Music Inspired By Lord Of The Rings album from 1972. From what I can remember, I think I just slowed it down on the turntable and sampled a few different parts and arranged them to my liking through the MPC. Then, I took a not too known drum break, chopped it to pieces, layered some other drums over them and tapped it out on the drum pads.

I originally did this in 2004 and I wanted to recreate this to the best of my ability, so I called on vaporized from the T.R.O.Y. forum for some help. I sent him my beat and the Big L acapella and below you can hear the results. Give it a thorough listen and leave a comment, thanks.

Bo Hansson - At The House Of Elrond

Big L - Put It On (Verge Remix)

Remix Instrumental

Download the Remix, Sample, and Instrumentals here.

Download the original Put It On and much more Big L here.

And check for even more Big L here and at the Big L Rarities blog.

Thanks to vaporized for the blend and to Roy Johnson for schooling me on the Buster Williams sample.

-- Verge

Big L Rarities & Press Kits

The Redefinition Of Time Travel w/ Kevin Beacham: Big L Rarities & Press Kits

Usually I do something to focus on the Redefinition Radio shows, but with the anniversary of Big L’s death today, I wanted to dedicate this offering to him.

http://www.sendspace.com/file/6rlpk8
TRACKS: Timez Is Hard, I Shoulda Used A Rubba, & School Daze.

Here’s the three rare joints taken off his debut album from the original promo tape (scans included). I also included all of his press kit stuff I had which includes: original Columbia bio, original Columbia press photo, Rawkus bio, 2 Rawkus press photos, & a few press releases.

Big L was a good dude. I won’t go far as to say we were “friends” or anything like that, but we crossed paths a few times and talked about Hip Hop, lyrics, and things of the sort.

My first meeting with him was somewhat of a humbling experience. It was in the Summer of ‘94 and I was on one of my regular trips to New York to take in the scene, buy new music and check out Rock Steady Anniversary. It was me and my man Zeke. We were staying in Harlem at Grav’s Mom’s place (at the time Zeke and Grav were a group called Indigenous Theory). There was this late night chicken shack not too far from his spot so it was a nightly adventure to walk up there any time past midnight.

On one of the first nights, we are at the spot in a long line and something must have got me excited or whatever cause I was “preaching” about the state of Mcing or something like that. It started out as just a convo between Zeke and I but as it went on and we noticed people starting to take interest it got more elevated. There was one guy in particular about 4 or 5 people back really checking us out and listening in. On our way out, he was like “You MC?”. I was like, “Yeah, since 1980, but now I’m more focused on the business side of things and journalism...my man Zeke is an MC.”. He’s like, “Yeah, I rhyme too. I got a deal with Columbia and I’ll be dropping soon”. Being that in New York everyone rhymes and got a deal I didn’t think much of it and sort of blew him off with a “Oh word. What’s the name? I’ll check for you....”. He’s like “L”
and we give pounds and say peace.

I walk outside and something just hit me with an interest to know where we were so I look up and it’s the cross streets of Lenox and 133rd (or something like that). Then my rap computer brain kicked in and I was like “Hold up...”. I go back inside and I’m like “Big L???”. His face lit up a bit and he’s like “Yeah. You heard of me?”. At this time, he only had the verses on “Represent” and the “Yes You MayRemix”...”Devil’s Son” promos might have just started leaking out.

I was like, “Yeah man. You killed it on those guest appearance joints”. I apologize for blowing him off but tell him why and he knows the deal on the “everyone raps and got a deal in New York steez” so we are all good. We talk a bit. I tell him about my promotions company in Chicago and that I’ll have his back out there when he drops so we exchange numbers and say peace.

A little less than a year later, Notorious B.I.G had a Platinum party in Chicago (at Club Drink I think...) and it’s a star-studded affair; Puffy is there, Lorenzo Tate is chilling at the bar, still hot off his Menace To Society rep, and so on. It’s not really my kind of scene but I’m trying to network for my upcoming magazine (Caught In the Middle) and my promotions company (Rage Promotions). I’m just chilling and out of nowhere Big L steps up and is like “What’s Up”. I'm can't remember why he was there in Chicago, but it was unexpected. We kick it for a bit and catch up on what’s going on with his project and whatever. While we are talking Puffy comes by to say what’s up to Big L and someone asks to snap a flick. I’ve seen the flick but never got my hands on it. I imagine that picture is somewhere with the caption, “Puffy, Big L and unknown friend”...ha.

Anyway, L and I stayed in contact for about another year or so, off n on thru phone calls. Then I hit a stressful point in life and was sort of unreachable for a while and in that time I lost contact with a lot of people (mostly artists) who I was talking to on the regular. In any event, Big L was killing it with every release and I continued to love and support his music on my Time Travel radio show and by word of mouth.

When I heard about his death I was in the middle of my first break from the radio show since ‘95 cause I never missed a show for any reason, but I was getting real frustrated with things so I was thinking about quitting the show. When I found out about Big L getting shot it hit me. I just thought about the senseless murder, the loss of a great artist, the loss of good person, and also how you can stop contact with people thinking you’ll hit them up “whenever” because you got time...though that’s not always true and we shouldn’t take those things for granted. I came back to show the next week to do a dedication to Big L. I stayed on the air strong until 2002 and I moved to MPLS.

R.I.P Big L (May 30, 1974 - February 15, 1999).

Also, this week on Time Travel Radio:

1)All Natural-Liquid Paper (Ghostface diss....) ‘95
2)No Pity Committee/M.A.T.s Crew feat Twista-The Padded Room ‘94
3)D2ThaS-Doomsday ‘92
4)Kwest The Madd Ladd, Rhymefest, Vakill Time Travel Freestyle 7-4-96
5)Twista-Suicide '94

--Kevin Beacham

Fifty Remixes You Need To Hear (41-50)

Today we present the final installment of the series. We hope that you were introduced to music that is new and beautiful to your ears. Be sure to check out Selections 1-10, Selections 11-20, Selections 21-30, and Selections 31-40 as well.

41. Lord Finesse "Hip 2 Da Game" (Buckwild Remix)

The original was a near-perfect quintessential Lord Finesse production. Somehow, some way Buckwild managed to improve upon it, matching the grandiosity of Finesse's boasts with lush, sweeping music.

42. Tragedy "Funk Mode" (Large Pro Remix)

43. Brand Nubian "Concerto In X Minor" (Remix)

"On the real-tip let's take a field trip from the ghetto / You pick the time and we'll meet in the meadow/ To discuss racial issues and tension/ New York's a violent keg did I forget to mention..."

44. Lord Finesse ft. Big L "Yes You May" (Remix)

AG and Percee-P are replaced by Big L and a drum heavy beat. L spits non-stop quotables and Finesse displays his mastery of similes and unabashed shit talking.

45a. Common Sense "Resurrection" (Extra P Remix)

45b. Common Sense "Resurrection (Large Pro Remix)

46. Chino XL "Kreep" (Video Mix)

47. Beatnuts "No Equal" (Remix)

The original was the greatest vibraphone-laced death threat aimed at Das Efx ever. This remix makes the original sound like the fucking Barney The Dinosaur theme song in comparison.

48. Nice N' Smooth "Cash In My Hands" (Remix)

49. Pharcyde "Passin' Me By" (Remix)

50. Public Enemy "How To Kill A Radio Consultant" (Chuck Chillout Remix)

Download all of today's remixes here:
http://www.mediafire.com/download.php?y40zwlztdnt

More Big L VLS Goodness

(Picture is jacked from unkut.com)

Some time ago we introduced you to T.R.O.Y. Forum regular TheBigSleep's Big L Rarities Blog and told you about his ongoing quest to digitize the late Harlem emcee's entire vinyl discography, including guest appearances. Well TheBigSleep does not sleep when it comes to this mission, and he's already located some more links for your listening enjoyment, courtesy of Time4SumAksion and T.R.O.Y. Forum regular Tapehead. -- Thun

Party Over Here (192 CBR)

http://sharebee.com/e84306a1

(Lord Finesse) Party Over Here (Remix Version)
(Lord Finesse) Party Over Here (Album Version)
(Lord Finesse) Party Over Here (Remix Instrumental)
(Lord Finesse) Party Over Here (Clean Version)
Yes You May ft. Big L (Funk Flow Mix)
Yes You May Remix (Instrumental)

Can’t Go Wrong / Dangerous (192 CBR)

http://sharebee.com/e4204802

(O.C.) Can’t Go Wrong (Remix) ft. Changing Faces
(O.C.) Can’t Go Wrong
Dangerous the Sequel (Instrumental)
(O.C.) Can’t Go Wrong (Instrumental)
(O.C.) Dangerously Makin’ Money ft. Lord Tariq, Peter Gunz & Fat Man Scoop
Dangerous the Sequel ft. Big L & The Lost Boyz
Dangerous ft. Big L

Full Clip / Work Remix (VBR)

http://sharebee.com/22b29da7

(Gangstarr) Full Clip (Instrumental)
(Gangstarr) Full Clip Remix ft. Sticky Fingaz
Work Remix (Instrumental)
Work Remix ft. Big L

Big L Rarities - VLS Style

T.R.O.Y. Forum regular TheBigSleep also happens to host one of the most specialized blogs in all the rap blogosphere, Big L Rarities. Given his penchant for the late Lamont Coleman's rare material, TheBigSleep's digital collection of most of Big L's vinyl singles in mp3 format is not surprising. Take advantage of his generosity and build your collection up. If you have any of the missing singles, do the right thing and spread the love. Oh and another thing - the Big L entry at Wikipedia is HOT GARBAGE. Somebody needs to get on that, his legacy deserves better treatment. -- Thun

Devil’s Son (192 CBR)

http://sharebee.com/0691551a

Devil’s Son
Devil’s Son (Instrumental)

Put It On / Danger Zone (256 CBR)

http://sharebee.com/bfe1d6cf

Put It On ft. Kid Capri (Dirty)
Put It On (Instrumental)
Put It On (L.G. Remix)
Put It On (L.G. Remix Instrumental)
Danger Zone

MVP (192 CBR)

http://sharebee.com/2706f42c

MVP (Dirty)
MVP (Instrumental)
MVP (Clean)
MVP (A capella)
MVP ft. Miss Jones (Summer Smooth Mix Dirty)
MVP (Summer Smooth Mix Instrumental)
MVP ft. Miss Jones (Summer Smooth Mix Clean)
MVP ft. Miss Jones (Summer Smooth Mix A capella)

Street Struck (192 CBR)

http://sharebee.com/0e4b8a4b

Street Struck
Street Struck (Instrumental)

American Dream / Harlem USA (VBR)

http://sharebee.com/57cdbc14

American Dream (Dirty)
American Dream (Clean)
American Dream (A capella)
Harlem USA (Uptown Version)
Harlem USA (Harlem Version)
Harlem USA (Harlem Version) (Clean)

Work is Never Done / Larger Than Life (192 CBR)

http://sharebee.com/89a0fb7e

Work is Never Done ft. N.O.T.S. Click
(N.O.T.S. Click) Larger Than Life

Ebonics / Size ‘em Up (192 CBR)

http://sharebee.com/8ac7eaaa

Ebonics (Clean)
Ebonics (Instrumental)
Ebonics (Dirty)
Size ‘em Up (Clean)
Size ‘em Up (Instrumental)
Size ‘em Up (Dirty)

Manchild / Furious Anger (192 CBR)

http://sharebee.com/ff5feede

(Shyheim) Manchild (Clean)
(Shyheim) Manchild (Dirty)
Furious Anger ft. Shyheim (Clean)
Furious Anger ft. Shyheim (Dirty)
Furious Anger (Instrumental)

Flamboyant / On the Mic (192 CBR)

http://sharebee.com/4ad42586

Flamboyant (Clean)
Flamboyant (Dirty)
Flamboyant (Instrumental)
Flamboyant (A capella)
On the Mic (Clean)
On the Mic (Dirty)
On the Mic (Instrumental)
On the Mic (A capella)

Deadly Combination (192 CBR)

http://sharebee.com/07a3eab1

Deadly Combination ft. 2Pac Shakur & The Notorious B.I.G. (Clean)
Deadly Combination ft. 2Pac Shakur & The Notorious B.I.G. (Dirty)
Deadly Combination (Instrumental)
Nigga Please

Platinum Plus / Still Here (192 CBR)

http://sharebee.com/a05384c6

Platinum Plus ft. Big Daddy Kane (Clean)
Platinum Plus ft. Big Daddy Kane (Dirty)
Platinum Plus (Instrumental)
Still Here ft. C-Town (Clean)
Still Here ft. C-Town (Dirty)
’98 Freestyle Pt. 2

Raw and Ready / Chase Game (VBR)

http://sharebee.com/2df3421e

Raw and Ready ft. Party Arty (Clean)
Raw and Ready ft. Party Arty (Dirty)
Raw and Ready (Instrumental)
(O.C. & A.G.) Chase Game (Clean)
(O.C. & A.G.) Chase Game (Dirty)
Chase Game (Instrumental)

Still Here / Flamboyant Remix (192 CBR)

http://sharebee.com/ddc6c1d9

Still Here ft. C-Town (Dirty)
Still Here (Instrumental)
Flamboyant Jay Dee Remix (Dirty)
Flamboyant Jay Dee Remix (Instrumental)

Day One (192 CBR)

http://sharebee.com/a7d95357

Day One (Dirty)
Day One (Clean)
Day One (Instrumental)

Day One Remix (VBR)

http://sharebee.com/20034715

Day One (Remix)
Day One (Remix Instrumental)
Day One (Original)

Dignified Soldiers / Themes, Dreams & Schemes (VBR)

http://sharebee.com/6a74c28b

Dignified Soldiers (Remix Clean)
Dignified Soldiers (Remix Dirty)
Dignified Soldiers (Remix Instrumental)
Dignified Soldiers (Dirty)
(A.G., The Ghetto Dwellaz & O.C.) Themes, Dreams & Schemes (Clean)
(A.G., The Ghetto Dwellaz & O.C.) Themes, Dreams & Schemes (Dirty)
Themes, Dreams & Schemes (Instrumental)
Dignified Soldiers (Instrumental)

Internationally Known / The Enemy (VBR)

http://sharebee.com/14437667

Internationally Known (Clean)
Internationally Known (Dirty)
Internationally Known (Instrumental)
The Enemy (Clean)
The Enemy (Dirty)
The Enemy (Instrumental)

Still missing:

We Got This / The Heist
Holdin’ It Down
Ya Better Recognize / Thorough Fam
Dangerous
Harlem N.Y.C.
Party Over Here
Can’t Go Wrong / Dangerous
Dangerous / M.U.G. / War Games
All Love
Dangerzone
We All Can’t Ball
Way of Life
Alone
You Know What I’m About / Yes You May Remix
Get Yours / Where You At?