In the early 1990s, at the ripe old age of 20, Prince Paulwas the man in demand after having produced hits for3rd Bass, Big Daddy Kane, and of course, De La Soul's 3 Feet High and Rising. Although rumor has it that Paul was quite happy to stick to producing, Lyor Cohenconvinced him to take on his own imprint at Def Jam/RAL - and hence the Dew Doo Man was born. Things were rocky from the start, with Russell Simmons' less than enthusiastic reception to this new label's name, but Paul took his advance and his A&R freedom and began to work on Dew Doo Man's first release.The first release that Paul came up with was a concept album - It Takes a Nation of Suckas To Let Us In - based around the characters of three immigrants from the Caribbean who had recently relocated to Long Island. This idea didn't exactly scream "millions of sales," and Def Jam didn't react well to the product they were being delivered. Their vision of the label was one that would release radio friendly, pop influenced tracks, which was clearly not what Paul had in mind. The label didn't care for any of the other acts that Paul had waiting in the wings, either.In the end, the only release to ever come out on the Dew Doo Man imprint was the Resident Alien 12" Mr. Boops. Paul had a meeting with Cohen to try and save the label, but Cohen opted to shut down operations, leaving the full length album languishing unreleased. (Source)
Sunday, January 25, 2009
Resident Alien Discography
Monday, January 5, 2009
A Tribute To Freddie Hubbard

Ho1ogramz and Roy Johnson put together a compilation documenting some of Freddie Hubbard's most famously sampled songs. You'll notice that pretty much every rap song included is a banger, and that there are plenty of them. Enjoy.In December 1960, Hubbard was invited to play on Ornette Coleman's Free Jazz: A Collective Improvisation after Coleman had heard him playing with Don Cherry.[3]
Then in May 1961, Hubbard played on Olé Coltrane, John Coltrane's final recording session with Atlantic Records. Together with Eric Dolphy, Hubbard was the only 'session' musician who appeared on both Olé and Africa/Brass, Coltrane's first album with ABC/Impulse! Later, in August 1961, Hubbard made one of his most famous records, Ready for Freddie, which was also his first collaboration with saxophonist Wayne Shorter. Hubbard would join Shorter later in 1961 when he replaced Lee Morgan in Art Blakey's Jazz Messengers.
Throughout the 1960s Hubbard played as a sideman on some of the most important albums from that era, including, Oliver Nelson's The Blues and the Abstract Truth, Eric Dolphy's Out to Lunch, Herbie Hancock's Maiden Voyage, and Wayne Shorter's Speak No Evil.[5] He recorded extensively for Blue Note Records in the 1960s: eight albums as a bandleader, and twenty-eight as a sideman.[6]
Hubbard achieved his greatest popular success in the 1970s with a series of albums for Creed Taylor and his record label CTI Records, overshadowing Stanley Turrentine, Hubert Laws, and George Benson.[8] Although his early 1970s jazz albums Red Clay, First Light, Straight Life, and Sky Dive were particularly well received and considered among his best work, the albums he recorded later in the decade were attacked by critics for their commercialism. First Light won a 1972 Grammy Award and included pianists Herbie Hancock and Richard Wyands, guitarists Eric Gale and George Benson, bassist Ron Carter, drummer Jack DeJohnette, and percussionist Airto Moreira.[9]
Hubbard's trumpet playing was featured on the track Zanzibar, on the 1978 Billy Joel album 52nd Street (the 1979 Grammy Award Winner for Best Album). The track ends with a fade during Hubbard's performance. An "unfaded" version was released on the 2004 Billy Joel box set My Lives.
In the 1980s Hubbard was again leading his own jazz group, attracting very favorable notices for his playing at concerts and festivals in the USA and Europe, often in the company of Joe Henderson, playing a repertory of hard-bop and modal-jazz pieces.
Thursday, January 1, 2009
Easy Mo Bee Career Retrospective

Monday, December 1, 2008
The Request Line Compilation by Ho1ogramz
When you're a member in a community as vibrant as the T.R.O.Y. Forum, the process by which requests are filled is never complicated. After newcomer Foobar requested sixteen random tracks, forum regular Ho1ogramz came through and fulfilled all of the requests, zipping them into a single file less than six hours after the initial post was made. Turns out it's a nice little eclectic compilation, and now you can all enjoy it. -- Thun
- Nas "It ain't hard to tell (Extra P remix)" [Columbia - 1994]
- Muro [Feat. A.G.] "Vinyl Athletes" [Incredible - 2000]
- Pete Rock & CL Smooth "Mecca & the soul brother - Wig Out Mix" [Elektra - 1991]
- MC Shan "The Bridge" [Bridge Records - 1986]
- Unity Committee & Rebels of Rhythm [aka Jurassic 5] "Unified rebelution" [Chemical Storage Facility - 1994]
- KMD [Feat. Brand Nubian & LONS] "Nitty gritty - dog spelled backwards mix" [Elektra -1991]
- Diamond D "Best kept secret - 45 King remix" [Mercury - 1993]
- Ultramagnetic MC's "Ego trippin" [Next Plateau - 1986]
- De La Soul [Feat. A Tribe Called Quest] "Shocking female MC's" [Tommy Boy - 1994]
- Funky Fresh Few [Feat. Afu Ra] "Hip hop Running through these veins" [Grand Central - 1996]
- Mobb Deep "Temperature's rising - original and unreleased version" [Loud - 1995]
- D.I.T.C. [Feat. Diamond D & A.G.] "Put it in the system" [Next Level - 1998]
- Pete Rock & CL Smooth "We specialize" [Elektra / EastWest Japan - 1996]
- Show & A.G. "You know now - Buckwild remix" [PayDay - 1995]
- Biz Markie [Feat. T.J. Swan] "Make the music with your mouth, Biz" [PRISM - 1986]